Friday, May 05, 2017

Silent Auction Fundraiser

The Zenith Community Arts Foundation Cordially Invites You to 
A Silent Auction Fundraiser Event!
To Support ZCAF's Hands' on Workshop (HOW) Programs
Sunday, May 7, 5:00-8:00 pm
At the Washington Ethical Society
7750 16th Street NW, Washington, DC 20012  
Don't miss out! ... ONLINE Auction ongoing from now until Sunday, May 7, 3:00 pm est.



Many more items are up for auction including spa treatments, legal services, 
restaurant certificates, gift cards, and more. 

Food for the event provided by CUBA CUBA Gallery Cafe.
Music by guitarist, Bill Freed.

Honorary Chairpersons: Ward 4 Councilman, Brandon Todd, and Councilman At-Large, Robert White

Hosted by Ron Nessen, who served as White House Press Secretary for President Gerald Ford, 1974-1977

Guest Speakers: Kay Kendall, Chairman of the D.C. Arts Commission, and Linda Donovan Harper, Board President of the D.C. Education Collaborative

Click Here to:  PURCHASE 1 TICKET
Click Here to:  PURCHASE 2 TICKETS

Click Here to make a tax deductible in the amount of your choosing:  DONATION
THANK YOU!



Thursday, May 04, 2017

Austin Shull at Micro Gallery

Metro Micro Gallery Presents: 
Austin Shull
Reflections on Ardor
May 6th – June 10th, 2017
Curated by Cara Rose Leepson 

Opening Reception: Wednesday May 10th 7pm
Reflections on Ardor presents a site-specific installation created by Washington, DC based artist Austin Shull which questions dominant tropes of romance and passion. The global allure of love and romance have been magnified by mass consumerism and often, the expectations of these sentimental feelings are skewed by reality. Utilizing a teleidoscope to abstract stereotypical romantic photographic imagery, Shull deconstructs the surface level idealism of romance and engages the viewer by questioning their own personal reflection and participation in this reimagined, seemingly romantic scene. 

“For instance, a common image that comes to mind when thinking about romance is a stock picture of a couple walking down the beach holding hands, or perhaps kissing as the ocean waves lap at their feet. Does this unknowingly become the imagery on which we base our desires and fantasies, and in so doing begin a search for qualities of life founded in dislocated representations.” – Austin Shull

Austin Shull is a multi-disciplinary artist, native of Washington, DC and has been a resident at Arlington Art Center since 2015. He attended the Skowhegan School of Painting and Sculpture summer of 2008, and the Whitney Independent Study Program 2007-2008. Shull received an MFA from the School of Visual Arts in 2007 and a BA from the Bard College in 2001. He has exhibited work nationally and internationally at venues including the Cooper Union, Syracuse University, International Print Center, Pratt Institute, Nurture Art, and Exit Art.

Guest Curator Cara Rose Leepson brings her vision into this exhibit. She is now part of the pay it forward initiative of Metro Micro Gallery. We welcome her effort in mentoring and guiding Austin Shull in this unique space. Leepson moved to Washington, DC from Charleston, South Carolina in 2010 to pursue her MA in Art + Museum Studies at Georgetown University. Prior to joining the staff of Transformer in early 2016, she worked for a number of arts organizations in DC including Hillyer Art Space and Glenstone Foundation.

Metro Micro Gallery is committed in creating opportunities that will inspire more creative collaborations and enrich our community. 
A experimental gallery that encourages creative collaborations and a respect for diversity through inclusive, non-conventional exhibits and showcases. A small space with big mission, the Metro Micro Gallery offers exhibits and programs to strengthen and sustain our community.  

Barbara Januszkiewicz is the sponsor of Metro Micro Gallery. This is part of the outreach of her studio practice that includes mentorships within the creative community. Plus an effort in supporting public awareness for visual art practitioners. Pay it forward.

Metro Micro Gallery is located at 3409 Wilson Blvd., Arlington, VA. For more information visit www.metromicrogallery.com

Bettie Page for a great cause!

New Studios in the DMV

open may 5 and 6, 10-6 pm

and

spring art walk
Friday may 5, 6-8pm
MICHELINE KLAGSBRUN
raye leith
joe hall
the tuesday night group

1662 33rd street NW in georgetown
 

SPRING ART WALK:
Seven galleries will host an evening stroll and a viewing of their fine art
exhibitions in the most beautiful part of Washington, DC.

Wanna draw the figure?

Fridays, June 2 & 16Friday ARTnights: Drop-In Figure Drawing The Capitol Hill Arts Workshop (CHAW) hosts a drop-in “Working from the Figure” session on Friday, June 2, 2017 and Friday, June 16, 2017 from 6:30-9:30 p.m. at CHAW, 545 7th Street, SE. Work on drawings or paintings in front of a live model in a session without formal instruction, facilitated by artist Will Fleishell. Please bring your own drawing materials. Easels are available. The session is $15 for drop-in students. For more information, visit www.chaw.org or call (202) 547-6839. 

Wednesday, May 03, 2017

Call

Art Impact USA's 2017 Juried Art Exhibition at Pepco Edison Place Gallery is now ready to receive your art entry.  You are invited to submit up to eight works for "Climax: The Best of the Best."  There is no entry fee and over $850 in cash awards and prizes.  


Submission deadline is June 16, 2017, 9:00 pm firm.  Don't wait until the last minute.

The chief juror is Prof. Curlee Holton, Executive Director of the David C. Driskell Center,  at the University of Maryland.  Fewer artists will be chosen and more of their work will be exhibited - four pieces.

Visit this page for all the details:  
http://www.artimpactusa.org/climax-call. 

Tuesday, May 02, 2017

Victor Ekpuk solo at MFA


These Moments
A solo exhibition of mixed media artwork by VICTOR EKPUK
Friday, May 12th - May 29th, 2017
OPENING DAY RECEPTION
Friday, May 12th, 6pm-8pm
The artist will be in attendance. 

EXHIBITION LOCATION
Morton Fine Art (MFA)
1781 Florida Ave NW (at 18th & U Sts)
Washington, DC 20009
HOURS
Tuesday - Saturday 11am - 6pm
Sunday 12pm-5pm

About VICTOR EKPUK & These Moments


What can one say about an artist like Victor Ekpuk? Graphically stunning, with a carefully crafted use of color, and evincing a commitment to the power of the line, Ekpuk's work in These Moments applies Ekpuk's enviable skill, theoretical grounding, and consistent engagement with what it means to be human in a more figurative approach. These Moments highlight thirteen works all grounded by the form, structure, and strength of the bold line's arc through space. Inspired in part by a four-month residency in Nigeria, the country of his birth, Ekpuk was struck by how central the head was in daily life in Lagos. Ekpuk explains that he was "struck by people carrying things on their heads, metaphorically or otherwise."
-
Izetta Autumn Mobley, 2017



These Moments marks VICTOR EKPUK's third solo exhibition at Morton Fine Art.  His artwork is included in the permanent collections of the
Smithsonian Institution Nation Museum of African Art, Brooks Museum,
Krannert Art Museum, US Department of State, Newark Museum, Arkansas Art Center, Fidelity Investments,  The World Bank, and University of Maryland University College Art Collection.

Monday, May 01, 2017

Call for Proposals

One month left to submit your proposals for an exhibition at artspace in the first half of 2018

APPLY ONLINE

Entry Fee: $25
Deadline: June 1, 2017

Sunday, April 30, 2017

Frida Kahlo Show... and?

Over 20 years ago, The Washington Post called me "A Kahlophile since age 17", and even after all these years, that description still fits me to a tee.


Subsequently, I was lucky enough to curate two (in partnership with the Mexican Cultural Institute for the first one, and with the same Institute and the Frida Kahlo Museum in Mexico City for the second) worldwide "Homage to Frida Kahlo" shows - the first one at Georgetown's iconic Fraser Gallery, and the second one online with art.com.
Campello's works are more than one-liners, though. They're also explorations of one of Campello's pet topics: race. In Las Siete Fridas (The Seven Fridas), he's envisaged Kahlo as Nordic, Arab, African, punk, Native American, Vulcan, and Beatle. The drawing was inspired by the 1980 census, the first to offer a complex menu of ethnicities for each American's self-identification. "This was my way of poking fun at the census and our governmental need to put labels on people," Campello explains on a nearby card. Las Siete Fridas was recently acquired by Seeds of Peace, an organization that promotes cross-cultural understanding.   ---  Pamela Murray Winters, Washington City Paper
Over the years, as documented here, I've done hundreds, if not thousands of works inspired, related or obsessed by Frida Kahlo, the Champagne Communist, pain-ridden lead for the title of most famous and influential Latin American artist... ever. And soon, very soon, I will be announcing another major Kahlo-related project... stay tuned!


Just found out that a new Kahlo-inspired show is about to make its debut in the DMV:





Exhibit:
Frida en Nosotros
Artworks inspired by Frida Kahlo
May 5- May 29

DMV area artists pay tribute to Frida Khalo as a transcendent Latin American cultural icon. Each artist has taken her image or imagery related with her as a starting point to explore how she relates to their own ethnic traditions and customs. Featured artist are Marily Mojica, Osbel Susman-Peña, Nicole Oxendine, Ric Garcia, Marla Mclean, David Amoroso, Gus Rodriguez, Kate Heneghan, Jobi Jovanka Magana, Juliana Vallejo, Shyama Kuver, Cluadio Olivos, Eloy Areu, Sergio Olivos 

Reception:
Opening Night and Cinco de Mayo Celebration
Friday, May 5
5 pm-12 midnight

Happy Hour
Tapas, Vino y Margaritas

Location:
2309 18th Street, NW
Washington, DC 20009
An artistic culinary initiative in Adams Morgan, where art, music and Spanish food traditions fuse into a cultural experience. Patrons can enjoy art exhibits in the restaurants' basement gallery space and then pair the experience with a good glass of wine and a variety of  tapas or a dinner that samples Spanish and Cuban cuisine traditions.

Saturday, April 29, 2017

Guerrilla Framing Techniques - Number One

Me: Custom framing is expensive!

You: Everybody knows that Lenster!

The average price for custom framing around the DMV is brutal - and sometimes complicated (or made complicated by frustrated designers posing as framers or artists who have seen too many Roccoco framing in museums.

Unless you're Frida Kahlo, generally speaking, the job of a frame for a work of visual art is first and foremost to protect the art.

Period.

And in the 21st century, and most of the 20th, the simpler the better; the less noticeable the frame, the more that the art is noticed.

If you have plenty of sheckels, then a good framer will do a great job. The best and least expensive framer around the DMV is Apex (703/914-1000, ask for Khalid and tell him Lenny sent you)

For the vast majority of artists, a frame should not cost as much as repairing your car's transmission.

You: Can you get to the technique part already?

Most artwork is done on geometric substrates; even if you cut paper or stretch your own canvas, most of the times it is either a square or a rectangle; ovals went out ages ago; in fact they were never really in... cough, cough.

In the USA, these art substrates come in standard sizes that apply not only to the substrates (paper, canvas, board, wood, etc.), but also to mats, frames, and glass.

Thus, if you work on a standard size substrate to start with, you're almost home, because then you can eliminate the middle man to getting your work on a wall: the custom framer.

An 8x10 substrate will fit into an 11x14 pre-cut mat and into an 11x14 pre-cut frame; and 11x14 substrate will fit into a 16x20, a 16x20 into a 20x24 and so on.

Around the DMV, both Ikea and AC Moore's have ridiculously affordable prices for acceptable, minimalist frames. With AC Moore's if you sign up for sales alerts, you'll be bombarded with coupons (the best one is their 25% off for your purchase - including sales items; otherwise you get their 55% off regular price coupon emailed to you every 30 seconds).  Practically every frame at Ikea is a minimalist frame, but be careful because many of them are European size standards, which are different from US; however, Ikea frames generally come with acid-buffered mats, with is a nice "bennie" to have.

By the way, if you need a lot of frames in the same size - let's say two dozen frames, then I suggest that you find the ready made frame that you like and that will accommodate your work (this usually works for photographers), turn it over and see who makes the frame and then contact the manufacturer (if it's in the USA) and see if they will sell you the frames directly. There's usually a minimum order to "qualify" for this option, and thus situations may vary according to your needs.

If you want to do artwork in other than standard sizes, then more power to you, and framing just got a little pricier, but there's also a technique.

First find a ready made frame that is bigger than your odd shaped artwork and visualize the artwork inside the frame. If the proportions are agreeable to you (let's say you have a rectangular work which can be matted with both sides and top the same and bottom "heavy" - that is perfectly acceptable.

Once you have the frame, go to a framer and have them cut you a mat that has the outside dimensions of your frame and have them cut a window that fits your work. Now you are only paying them to cut a custom mat, rather than paying them to do that as well as creating a custom frame and glass from scratch. It should reduce your costs by about 80%.

Then just bring your matted work home, pop it into the frame and as the Brits say: "Bob's your uncle."

Friday, April 28, 2017

Frida Kahlo at a steal!!!

C'mon blogosphere! You're making me look bad!


Anybody like Frida? This very cool painting that I did in art school and which sold originally almost 15 years ago, showed up at an auction house a while back and it is almost over and as of this morning it was available for around $120!


This painting sold for $1200 in the 1990s!


Follow the link! And bid already!

http://www.invaluable.com/catalog/searchLots.cfm…


Frida Kahlo: Picasso Style  Oil on Board, c. 1980  F. Lennox Campello
Frida Kahlo: Picasso Style
Oil on Board, c. 1980
F. Lennox Campello

#fridakahlo #frida #picasso #pablopicasso #fridapainting #lennycampello #artauction

Found in a thrift shop

Thursday, April 27, 2017

Stolen art

“It is absurd that the University of Oklahoma would act as if they have done a noble thing by returning a piece of stolen art to France. From the moment that the University of Oklahoma discovered the painting was stolen, university administration, led by President David Boren, has fought tooth and nail to prevent this painting from returning to its rightful owner. In order to accommodate a wealthy donor, President Boren went as far as spending hundreds of thousands of dollars to keep the art away from its rightful owner – a family that was nearly destroyed during one of the darkest periods of humanity,” said Rep. Mike Ritze.
Read the story here. 

Wednesday, April 26, 2017

Rockville openings

Artists and Makers Studios 2 Presents "anti-land" with Gregory Logan Dunn "Tulipmania" with Patty Hankins

Artists and Makers Studios 2 on Wilkins Avenue in Rockville will present one exhibit in the main galleries for the month of May.
 "anti-land" with artist Gregory Logan Dunn will be featured in the Main and Merge Galleries on the second floor. Work in this solo exhibit represents a new group of paintings that continue to pursue traditional themes in the artist’s work: opacity versus transparency, multiple layers of paint accumulating on the surface while leaving visible existing layers underneath, through holes and rips from the layers above. Mystery, introspection, transformation, absolution. This process is highly personal - it has been an experience Dunn creates, individual and bereft of social or political commentary. Apolitical no more. Negative charges are fired in opposition saturating the American mindscape with polarizing fallout that land like lit fuses in the landscape of the national consciousness. What is fired across the aisle falls out onto the land, and it poisons, burns. There is no harvest in anti-land. "Tulipmania" with Patty Hankins of the Montgomery County Camera Club will open in the Photographers’ Hall, along with exhibits in New Master’s Gallery, Gallery 209, and artists’ open studios to round out the evening.
"anti-land"
"Tulipmania" Opening Reception

6:00 PM – 9:00 PM, Friday, May 5th, 2017
Artists and Makers Studios 2
12276 Wilkins Avenue
Rockville, MD 20852

Additionally AM presents three exhibits in three galleries for the month of May at the Parklawn location in Rockville, just 9/10’s of a mile from the buildings on Wilkins. "Navigation/Immigration" with Alonzo Davis, "Waterborne" with Cindy Packard Richmond, and "This Ain’t Yo Mama’s Textiles" with Melanye Coleman, along with resident artists’ open studios.

These exhibits at both locations open Friday, May 5, and continue through Wednesday, May 25th, 2017. Viewing hours are 10:00 AM – 4:00 PM, Tuesday-Friday, 10:00 AM – 4:00 PM Saturdays, and Sundays/Mondays by chance or appointment. 

Kahlo quote

"I used to think I was the strangest person in the world but then I thought there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do. I would imagine her, and imagine that she must be out there thinking of me too. Well, I hope that if you are out there and read this and know that, yes, it's true I'm here, and I'm just as strange as you."



Frida Kahlo

Tuesday, April 25, 2017

Opportunities

Strategic Goal is to encourage young artists to pursue their own innovative approaches in global art perspective.


Awards will be given for the top 5 chosen winners in the Painting and Sculpture, Contemporary Media Art, and Architecture and Design. The finalists are provided with one round trip ticket and 3 nights' stay in the conference hotel in Vienna, Austria.


No Entry Fee


Details: http://gamma2017.weebly.com

Social Media Art Workshop


Monday, April 24, 2017

Art of Connecting

Thursday, April 27 | 7:00 until 9:00 pmFriday, April 28 | 10:00 until 11:30 am
MPA@ChainBridge, 1446 Chain Bridge Road, McLean

Please join MPA at MPA@ChainBridge for the Art of Connecting. Anne Marie Marenburg, an MPA ArtReach instructor and National Gallery of Art docent will guide parents on creating enriching and enjoyable experiences with art from preschool to high school and beyond. Ms. Marenburg will provide parents tools to facilitate meaningful connections between their children and art objects they encounter. Utilizing these tools will in turn help to deepen the bond between parent and child while strengthening core skills such as reading comprehension and critical thinking at any age.


An exhibition by J.T. Kirkland will be on view and his works will contribute to the discussion. 


RSVP Here

Sunday, April 23, 2017

Call for Entries – The Wearable Hat Show with Steven Krensky

If you are a DMV area artist, gallerist, art dealer, college/university art faculty, museum director or curator, and do not know who Steven Krensly is, then you are woefully out of tune with the DMV art scene.

Krensky is easily one of the most visible faces at nearly every DC area art opening or event - not just because he's a good looking feller (which he is), but mostly because of his haberdashery... and also one of the DMV's premier art collectors.

To say that the Krenskiester stands out in a crowd is a gross under-estimattion.

Krensky is really plugged into the scene - he attends nearly every student/MFA art show around the region, and often discovers artists waaaay before most gallerists, curators, etc.

And as a result, he also has the planet's largest art collection focused (mostly) on DC area artists. And when I say large... I mean humongous collection: 100s and 100s of artists.

Anywhooooo.... Krensky, together with his wife Linda, also often dabbles in curating some exhibitions and he's got a really interesting call for artists for his next one:
Artists and Makers Studios is proud to host The Wearable Hat Show – with Steven Krensky at both A&M locations

This exhibit, curated by Steven Krensky and a mystery juror, will offer artists in the metro area an opportunity to make a statement through the art of the hat. Pick a hat form, any hat will do. Paint it, stitch it, weld it, glue it, glass it, bead it, weave it together with wire or string or any old thing. Your hat can be a reflection of your daily creative process, make a political statement, it can be whimsical, flattering, or funny. It must be functional, but need not be comfortable. Your hat must be for sale!
Artists whose work has been selected will be shown at both locations – the Reception Gallery at Parklawn, and in our Wilkins Avenue Merge Gallery for this month long exhibit. Hats will be pinned to the walls, or displayed on pedestals, at the gallerist’s discretion. Artists & Makers Studios will take a nominal 25% commission on sales from this exhibit. The artist should insure their own work for the duration of the exhibit if necessary.
Submission Requirements
****Submissions due on or before August 1st before 4pm, notification by August 9th.
Accepted work must be delivered to/and picked up from the assigned gallery, no shipments of artwork will be accepted.
Delivery date deadline, Sept 5th – 10-4 (Parklawn or Wilkins in Rockville)
Opening, Sept 8th from 6-9pm
Show ends Sept. 27th
Pick-up of unsold work Sept. 28th, 29th, 30th – 10-4
Artists may submit up to 5 jpegs of their work for consideration. The curator will choose works appropriate for public display from among all of the works submitted, and will include as many artists as possible. An artist may have one or more works accepted for exhibit. All work must be available for sale, and functional.
All entries must be submitted electronically in JPG format only. Email your images along with the completed form below to: judith@artistsandmakersstudios.com Please type Hat Show and your last name in the email subject line. For example: Hat Show/heartsong.
Images should be sized at no more than 1024 by 768 pixels, and less than 1 megabite in disk space size. Image file names must include artist’s last name and title of the piece in the following format: 
(ArtistLastName_ImageTitle.JPG) example: vanGogh_StarryNight.jpg
Click here to get a pdf of HAT Call for Entries 2017